Birdseed Haiku

William Keckler
3 min readJan 26, 2019

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cmonphotography o Pexels

as if late
to the funeral
this sparrow

memory–
the present tense
of death

at a late hour
writing words
that feel early

a kiss
nothing like
the present tense

someone helpful
placed your lost hat
on a tombstone

these butterflies
only seem
underemployed

snow speckles falling
mind speckles
following

asleep
listening to trains pass
only a body

there’s the neighbor
you only meet
digging in earth

dreaming the dead
deep night the cat
licks herself

dreaming the dead
accidentally you
awaken closer

things that pretend
to be haunted the grain
of artificial wood

morning star
so far from feeling
my feet right now

you mistake Venus
for a spaceship
coming home late

a crooked window
parts of me
laugh after death

humans will end
and blue
find other work

Styrofoam cup
blows back and forth
can’t look away

a blue wing
encased in ice
trembles back

wait a moment
behind the house
morning hasn’t reached

friends turn slowly
a bicycle wheel
in the winter creek

skipping the fireworks
reading postcards
from dead friends

3 a.m.
wild horses of Iceland
Church of YouTube

cremation
the burning question
only fuel

the moon
making me late
for a funeral

moon viewing
made me late
for your viewing

blue glass beads
in the coffin
all our reflections

counting the days
from a funeral
to the next pregnancy

thinking less
writing more
moonlight

moonlight
in a glass of water
being slips through

feng shui–
mirrory jewels
in her coffin

not seeing
what you become
funeral flowers

finally hearing
rain on the umbrella
John Cage

tides of friends
a cold sea under us
decides

raindrops falling
so random
so certain

old men eating
cold sardines they discuss
young men’s loves

old widow
throws sardines to stray cats
her anniversary

to be well
without sunlight
live under a rock

falling down dock–
taking the time
to let things die

snowy graveyard
crows gossip
coldly

writing the moon
one more time
no answer

trying to look
behind a motel mirror
Adam and Eve

forbidden fruit
the skin’s DNA
inconclusive

feeding the birds–
the best part
no funerals

the old sweater
dreams of sheep
dreams of moths

spring’s return–
a widow’s doll clothes
blow on the line

hospital window
how darkness becomes
color gradients

swearing
on a stack of bibles–
the forklift operator

walking along
the river’s stars–
your words in my voice

night river’s stars
your email
in my voice

deep forest walk
data streaming everywhere
no connection

his finger
in your spilled coffee
weirdly drawing

people in windows
feel like the past
feels like windows

some blood
in a kleenex
with a bit of food

her bed’s kleenex
she appears to be making
nesting materials

the wasp
the other side of the glass
traces your face

the orchard store’s hive
split in half by glass–
we both confess

far from neighborhoods
the darkness feels cleaner
with horses

the most worrying
places we never appear
the roof or death

there’s the bus stop
you used to wait
when we still waited

a marriage lingers
in woods behind the house
a birdfeeder

a cat we found
buried in the backyard
no longer ours

rain all week
visiting the cat’s grave
my shoes sinking

everyone in line
at the post office
a psychologist

stores shutter
taking with them old people’s
sense of belonging

autumn hunting
she stares out a screen door
he never changed

young widow stares
at bright snow through a screen
door never changed

school ruler
the teeth marks
of winter math

words have
such small bodies
such big heads

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William Keckler
William Keckler

Written by William Keckler

Writer, visual artist. Books include Sanskrit of the Body, which won in the U.S. National Poetry Series (Penguin). https://www.goodreads.com/author/show/532348.

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